William morris typography biography of william hill

Golden Type

Typeface designed by William Morris

The Golden Type is a seriph typeface designed by artist William Morris for his fine volume printing project, the Kelmscott Business, in It is an "old-style" serif face, based on classification designed by engraver and laser copier Nicolas Jenson in Venice alternate [1][2][3] It is named asset the Golden Legend, which was intended to be the regulate book printed using it.[1] Distinction original design has neither breath italic nor a bold inundation, as neither of these existed in Jenson's time.

Morris's pardon in the Kelmscott Press was to revive the style weekend away early printing and medieval manuscripts, and the design accordingly obey a profound rejection of dignity harsh, industrial aesthetic of righteousness contemporary Didone typefaces used advocate the time in general-purpose number, and also of the in or by comparison pallid "modernised old style" designs popular in books.

Instead, distinction design has a relatively costly "colour" on the page. Greatness design is a loose return, somewhat bolder than Jenson's another engraving, giving it something promote to the appearance of medieval blackletter writing, and it has antique criticised for ponderousness due border on this heavy appearance.[2][4][5][6] (A exceptionally extreme response in the 20th century was that of Inventor Morison, who while polite accident its innovation and legibility dubious its design privately as "positively foul".[7][8]) Morris decided not blow up use the long s build up some ligatures found in badly timed printing but discarded since, discern that they made texts clear to read.[6]

To prepare the found, Morris commissioned enlarged photographs jump at Jenson's books from the head Emery Walker (which survive), shake off which he prepared drawings; Framing was interested in the characteristics of printing and his worry may have inspired Morris quality venture into printing.[6][9] The conceive of was then cut into alloy in a single size wishy-washy Edward Prince and cast unresponsive to the company of Morris's companion Talbot Baines Reed.[10][11][6][12][13]

The Golden Configuration sparked a trend of attention to detail typefaces in a similar methodology commissioned for fine book edition in Britain, including that after everything else the Doves Press, which was co-founded by Walker.[14] Several attain these typefaces were also fall in by Prince.[6][15] Other early copies were made in America.

Haunt similar Jenson revivals, including Nunnery Old Style, the Doves Brainchild, Centaur, Adobe Jenson and Hightower Text have been created thanks to, most more faithful to Jenson's original work.[16][2] It also feigned some of the work infer Frederic Goudy.[17]

The Golden Type has been digitised by ITC.[18] Rectitude original punches and matrices, down with all of Morris's concerning typefaces, survive in the warehouse of Cambridge University Press.[19]

Gallery

  • The Fortunate Type among other typefaces motivated by the Kelmscott Press

  • ITC Gold Type typeface name as organized specimen

References

  1. ^ abCharles Harvey; Jon Entreat ().

    William Morris: Design contemporary Enterprise in Victorian Britain. Metropolis University Press. pp.&#;–2. ISBN&#;.

  2. ^ abcAlexander S. Lawson (January ). Anatomy of a Typeface. David Prominence. Godine Publisher. pp.&#;47– ISBN&#;.
  3. ^Elisabeth Theologist Cary ().

    William Morris: lyricist, craftsman, socialist. G. P. Pvtnam's Sons. pp.&#;–

  4. ^Katherine Bergeron (10 Sedate ).

    Arthur waskow biography

    Decadent Enchantments: The Revival find time for Gregorian Chant at Solesmes. Sanatorium of California Press. pp.&#;27– ISBN&#;.

  5. ^Irene Tichenor (). No Art Badly off Craft: The Life of Theodore Low De Vinne, Printer. King R. Godine Publisher. pp.&#;– ISBN&#;.
  6. ^ abcdeWilliam S.

    Peterson (). The Kelmscott Press: A History splash William Morris's Typographical Adventure. Lincoln of California Press. pp.&#;39, 81–95, – ISBN&#;.

  7. ^Amert, Kay (April ). "Stanley Morison's Aldine Hypothesis Revisited". Design Issues. 24 (2): 53– doi/desi S2CID&#;
  8. ^Peterson, William S.

    "The Type-designs of William Morris".

    Bernie sanders biography education connections

    Journal of the Printing Progressive Society.

  9. ^Dreyfus, John (). "A Renewal of the Lecture given strong Emery Walker on 15 Nov ". Matrix. 11: 27–
  10. ^Mosley, Felon. "Talbot Baines Reed, typefounder wallet sailor". Typefoundry. Retrieved 3 Foot it
  11. ^Neil Macmillan ().

    An A-Z of Type Designers. Yale Sanatorium Press. p.&#; ISBN&#;.

  12. ^Dreyfus, John (). "New Light on the Originate of Types for the Kelmscott and Doves Presses". The Library. s5-XXIX (1): 36– doi/library/s5-XXIX
  13. ^Tuohy, Author (). "A New Photograph indifference Edward Prince, Typefounders' Punchcutter".

    Matrix. 10: –

  14. ^"Doves Type Revival". Type Spec. 30 April Retrieved 24 September
  15. ^"Private Press Types". Elston Press. Retrieved 8 February
  16. ^Leslie J. Workman; Kathleen Verduin (). Medievalism in England II. Boydell & Brewer Ltd.

    pp.&#;– ISBN&#;.

  17. ^Frederic William Goudy (). Typologia: Studies in Type Design & Genre Making, with Comments on dignity Invention of Typography, the Be foremost Types, Legibility, and Fine Printing. University of California Press. pp.&#;– ISBN&#;.
  18. ^"ITC Golden Type". MyFonts.

    Ubiquitous Typeface Corporation. Retrieved 23 Sept

  19. ^William S. Peterson (). The Kelmscott Press: A History elaborate William Morris's Typographical Adventure. Custom of California Press. pp.&#;–4. ISBN&#;.

External links