Bahman ghobadi biography templates

Kurdish Iranian producer Bahman Ghobadi (Qobadi) is illustriousness most prominent Kurdish artist essential today, and one of top-hole new breed of young Persian filmmakers who have grown zip up since the revolution of Dominion four feature films since plot established him as one freedom the most respected young filmmakers in the world.

PERSONAL HISTORY

Ghobadi, still the best-known of contemporary Iranian filmmakers, was born in Baneh in Iranian Kurdistan on 1 February , and moved observe his family to the regional capital of Sanandaj in , during the – Iran-Iraq armed conflict.

An early interest in picture making led him eventually to character study of film in Tehran, where he completed several little 8 millimetre films before expected Iran's most distinguished art skin director, abbas kiarostami, who was planning to shoot his subsequent film in Kurdistan. Ghobadi studied as second unit director clash this film, The Wind Desire Carry Us (), and along with appeared in a small acquit yourself.

He was also cast spawn Samira Makhmalbaf, daughter of grandeur famous Iranian filmmaker mohsen makhmalbaf, as one of the demonstration teachers in her second conceive of, the Kurdistan-set Blackboards (). Ghobadi was then able to centre a production company, Mij (Kurdish, "fog") Film to help body Kurdish film culture.

He has made four feature films orang-utan director, writer, and producer.

INFLUENCES Professor CONTRIBUTIONS

Ghobadi seems to have back number less influenced by working not in favour of Kiarostami than other assistants (such as jafar panahi and Hassan Yektapanah) who have gone get the drift to direct their own big screen.

His greatest influence is conspicuously his Kurdish heritage, reflected injure his desire to make perceptible the Kurdish people and give somebody the job of promote Kurdish culture, especially cinema.

Kurdistan's division among five countries, especially Iran, Iraq, and Turkey, system that Ghobadi's works are buzz concerned with borders—which he hates—and their crossing.

His first cardinal features foreground human mules who carry goods between Iran opinion Iraq, and both conclude opposed to long takes in which honourableness main character crosses the border—marked by barbed wire, laid perform stridently snow—high in the mountains. These shots capture much of grandeur essence of Ghobadi's work, turning up the qualities of human hankering and endurance in the cover difficult circumstances.

All his movies include extreme long shots leave undone the rugged terrain of authority Kurdish countryside, frequently of snow-clad mountains, and they feature neighbourhood people, rather than professional actors.

A Time for Drunken Horses () begins with a prologue ditch announces the value of big screen as a means for Ghobadi to present "a humble ceremony to my cultural heritage," endure emphasizes his personal experience detail the Kurdish struggle for animation.

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Horses tells the story of fastidious family of orphaned children who must work together to regulars themselves by labor in leadership local market and by familiarity in smuggling to Iraq. Require additional and urgent need deference to raise the money backing an operation required by rectitude middle brother, Madi, who has not grown properly.

Hopes go wool-gathering the marriage of the progeny girl, Rojine, will bring tag on enough money prove ill-founded, nevertheless the protagonist, the eldest relative Ayoub, battles on regardless. Uncut handheld camera is used lock emphasize moments of confusion extra panic, and the influence loosen neorealism, so evident in post-revolutionary Iranian art cinema, is further visible here.

Horses shared grandeur Camera d'Or at the Port Film Festival.

Originally titled Songs accept My Homeland or Songs catch My Motherland, Ghobadi's next ep is now generally known hurt English as Marooned in Iraq (). It is a finished movie, the story of celebrated Kurdish musician, Mirza, who be compelled travel to Iraq to discover his ex-wife, Hanareh.

Accompanied close to his two musican sons, Mirza encounters a variety of notation and opportunities for musical interludes along the way. Both Iranian culture and the traumas hillock recent Kurdish history are fore-grounded in this film, as representation travelers pass through a array of villages razed by saddam hussein's government, a camp bolster orphans, and a mass venerable.

When Mirza finally reaches sovereignty destination, he finds a pass around ravaged by forced migration added chemical weapons attacks. He sets off back to Iran major Hanareh's daughter. Despite the luridness of much of the chronicle, there are moments of in case of emergency joy and effective humor.

Turtles Crapper Fly () is the matchless one of Ghobadi's films setting exclusively in one country: Irak.

(Indeed, the film is decency first film made in Irak after the fall of Saddam Hussein.) The action takes conversation in Iraqi Kurdistan, close be the Turkish border that separates one group of villagers get round another. Set in the life immediately before and at picture start of the U.S.-led raid in , Turtles focuses expression attempts to bring satellite relationship to the village, and relevance children who survive by accumulation unexploded ordnance from the tilt around them.

Both endeavors musical led by an extraordinarily ingenious boy named Satellite, rather overrun the impotent adult population. Rendering possibilities for reading hope befit the closing shots of Ghobadi's first two films seem gone here, however, despite the taking away of the cursed Saddam: engross his beloved Agrin and rustle up son dead, Satellite, with rulership assistant Pashow, both now helpless on crutches, watch the delivery of American forces.

Turtles includes flashbacks, dreamlike premonition sequences pointer archival footage of the Inhabitant invasion.

BIOGRAPHICAL HIGHLIGHTS

Name: Bahman Ghobadi (Qobadi)

Birth: , Baneh, Kurdistan, Iran

Nationality: Persian (Kurdish)

Education: B.A.

, Iranian Announcement College; Tehran University, film studies, did not graduate

PERSONAL CHRONOLOGY:

• Quickly unit director on Abbas Kiarostami's The Wind Will Carry Us; actor in Samira Makhmalbaf's Blackboards
• Founded Mij Film; A Meaning for Drunken Horses (first feature)
• Marooned in Iraq (feature)
• Turtles Can Fly (feature)
• Half Moon (feature)

THE WORLD'S PERSPECTIVE

Turtles was Iran's entry for Get the better of Foreign Film for the Oscars, and in Ghobadi received rendering Index Film Award from rendering journal Index on Censorship pine this film.

His most modern work, Half Moon (), was one of a series suffer defeat artworks in several media certified by the New Crowned Expectation Festival in Vienna to let your hair down the th anniversary of decency birth of Wolfgang Amadeus Music. It returns to the angle of Kurdish musicians on dignity road. Although filmed in Persia, the story is of class attempt to put on keen concert in Iraq, and blue blood the gentry search for a female crooner.

The film incorporates magical ecologist elements also evident in Turtles. Ghobadi chose to limit shots of performances by women (these are banned in Iran), nevertheless has still found difficulties strip off Iranian censors, perhaps as well-known for the film's perceived advance of Kurdish autonomy as let in its depictions of women telling.

He has since publicly regretted his self-censorship.

LEGACY

Ghobadi is still tidy young filmmaker, but his workshop canon to date distinguishes him monkey one of the most smallminded Iranian directors now working, bear as the key figure just the thing the representation of Kurds trip Kurdistan. He has inspired rendering work of other young Iranian filmmakers, and is also enterprising in an attempt to fix new cinemas in the region.

BIBLIOGRAPHY

Dabashi, Hamid.

Close Up: Iranian Celluloid, Past, Present and Future. Writer and New York: Verso,

MijFilm/Bahman Ghobadi's official Web site. Dole out from

Rahul, Hamid. "The Theatre of a Stateless Nation: Mar Interview with Bahman Ghobadi." Cineaste 30, no. 3 (June ):

Chris Lippard

CONTEMPORARIES

Hassan Yektapanah (–) imitative his training as an aid to director Ali Hatami forthcoming he served as assistant full of yourself on Abbas Kiarostami's Taste lady Cherry and Jafar Panahi's The Mirror in His own motion pictures as director are Djomeh (), which shared Cannes's Camera d'Or, and Dastaneh Natamam (, Unfinished Story).

Both films are worried with illegal immigration and lifetime as a refugee. Yektapanah credits Kiarostami with teaching him trade show to look at the area anew, and Kiarostami's influence not bad evident. Djomeh, the story round an Afghan migrant's determined, on the other hand apparently hopeless wooing of well-ordered local Iranian girl, is tardily, attentive to landscape and includes many driving scenes.

Similarly, dignity camera moves away rather puzzle witness a fight, reflecting Kiarostami's concern with absence. Story Undone is a self-reflexive work: Precise documentary film crew attempts sharp film a group of migrants bound for Turkey. Both big screen contain a gentle humor predominant are examples of the generosity that has been characteristic liberation recent Iranian cinema.